<<>> << >> <<< >>> << >> <<>>
Picture a 3-D holographic representation of a spherical design grid
that could filter numerical codes from the weather maps . . . project those
patterns into color {referencing the 12-tone spectrum of the color wheel}
. . . transpose those impressions into sound {12/24/36-tone scale in music}
. . . generating fields of harmonic resonance embracing and interfacing
with biorhythms in the dynamosphere.
. . . {{ . . . 12 x 12 = 144 . . . (000) . . . ? }} . . . !!
Since both sound and light are distinguished by octaves -- logic implies
common ground. If a computer can take those signals -- turning them into
weather maps, there must be a way to translate that "imagery" into sound.
<<>> << >> <<< >>> << >> <<>>
Picture a 3-D holographic representation of a spherical design grid
that could filter numerical codes from the weather maps . . . project those
patterns into color {referencing the 12-tone spectrum of the color wheel}
. . . transpose those impressions into sound {12/24/36-tone scale in music}
. . . generating fields of harmonic resonance embracing and interfacing
with biorhythms in the dynamosphere.
. . . {{ . . . 12 x 12 = 144 . . . (000) . . . ? }} . . . !!
Since both sound and light are distinguished by octaves -- logic implies
common ground. If a computer can take those signals -- turning them into
weather maps, there must be a way to translate that "imagery" into sound.
<<>> << >> <<< >>> << >> <<>>
<<>> << >> <<< >>> << >> <<>>
Since the frequencies represented in this projection would stem directly
from recorded movement in the water vapor "skin" of the planet -- I believe
it could function effectively as a form of "global bio-feedback"-- especially in
conjunction with equations drawn from movement in sub-terranean lava flow --
earthquake and volcanic activity, solar wind, and fluctuations in the magnetosphere.
Could such an approach help harmonize energies of life on this planet --
reach into the hearts and minds of every living thing -- so humankind can
transcend the mire of polar dichotomies in which we are entrenched?
<<>> << >> <<< >>> << >> <<>>
Since the frequencies represented in this projection would stem directly
from recorded movement in the water vapor "skin" of the planet -- I believe
it could function effectively as a form of "global bio-feedback"-- especially in
conjunction with equations drawn from movement in sub-terranean lava flow --
earthquake and volcanic activity, solar wind, and fluctuations in the magnetosphere.
Could such an approach help harmonize energies of life on this planet --
reach into the hearts and minds of every living thing -- so humankind can
transcend the mire of polar dichotomies in which we are entrenched?
<<>> << >> <<< >>> << >> <<>>
<<>> << >> <<< >>> << >> <<>>
Who . . . what in this world is not moved by sound . . . ?!
Listen to indigenous acoustic applications. Look at the relation of song
to cultural integrity. What other medium has the power to pervade
universally -- to bring tears and laughter to even the most
remote, unwilling, rigid, mute emotional body?!
<<>> << >> <<< >>> << >> <<>>
Who . . . what in this world is not moved by sound . . . ?!
Listen to indigenous acoustic applications. Look at the relation of song
to cultural integrity. What other medium has the power to pervade
universally -- to bring tears and laughter to even the most
remote, unwilling, rigid, mute emotional body?!
<<>> << >> <<< >>> << >> <<>>
<<>> << >> <<< >>> << >> <<>>
Working through the prism of tempered 12-tone octaves in sound/tone and
light/color -- numbers don't quite represent true dynamics. We squeeze
intervals and stretch octaves compelling harmonious intersections.
Always -- a fraction remains. Somewhere in a perfectly measured grid,
lines won't quite match up . . . dissonance skitters from one zone to another,
compelling movement as the wheel turns on . . . and on. Does that sound like
Fermat's last Theorem? It is consistent with what I find, working this design.
<<>> << >> <<< >>> << >> <<>>
Working through the prism of tempered 12-tone octaves in sound/tone and
light/color -- numbers don't quite represent true dynamics. We squeeze
intervals and stretch octaves compelling harmonious intersections.
Always -- a fraction remains. Somewhere in a perfectly measured grid,
lines won't quite match up . . . dissonance skitters from one zone to another,
compelling movement as the wheel turns on . . . and on. Does that sound like
Fermat's last Theorem? It is consistent with what I find, working this design.
<<>> << >> <<< >>> << >> <<>>
<<>> << >> <<< >>> << >> <<>>
Crop Circles . . . Fractals . . . The Ten Sefirot of the Kabbalah . . .
The Golden Mean . . . the works of Dr. Hans Jenny in Cymatic Sound
. . . Dr. Masaru Emoto on the psychodynamic properties of water . . .
correlations 'crop' up all the time -- a source of endless inspiration.
Once you go past 5 - 7 generations you are off the page
. . . the dynamic expands exponentially . . . .
<<>> << >> <<< >>> << >> <<>>
Crop Circles . . . Fractals . . . The Ten Sefirot of the Kabbalah . . .
The Golden Mean . . . the works of Dr. Hans Jenny in Cymatic Sound
. . . Dr. Masaru Emoto on the psychodynamic properties of water . . .
correlations 'crop' up all the time -- a source of endless inspiration.
Once you go past 5 - 7 generations you are off the page
. . . the dynamic expands exponentially . . . .
<<>> << >> <<< >>> << >> <<>>
<<>> << >> <<< >>> << >> <<>>
k. allen
November 2015
k. allen
November 2015